Doctoral students (DSP Cultural Production Dynamics)

DSP CPD: Overview
Doctoral studentTopic / TitleDepartment
Nina AinzThe Creative Reception of Short Fiction English and American Studies / English and the Creative Industries
Mirijam BeierDie ‘Operisti’ im 18. Jahrhundert: Biografie, künstlerisches Profil und Karrierestrategien der Sängerin Marianne Pirker (ca. 1717–1782)Department of Musicology and Dance Studies
Julius BurghardtSlow Religion: Zur Rolle von Religion als Gegentrend zu Stress und Reizüberflutung in der gegenwärtigen KonsumkulturDepartment for Systematic Theology and Centre for Intercultural Theology and Study of Religions / Religious Studies
Regina GenéeStagings of Evil in Music Theatre and Dance Works (research area)Department of Musicology and Dance Studies
Julia Grafenberger(De-)Constructing Humanity – Characters in CyberpunkEnglish and American Studies / English and the Creative Industries
Veronika HudetzFrom Text to Bodies: Incorporation and Embodiment of the Script in British and Irish Fringe TheatreEnglish and American Studies / English and the Creative Industries
Eva KieselPerformative Approaches to the Museum English and American Studies / English and the Creative Industries
Eva-Maria KubinPerforming Reproductive RightsEnglish and American Studies / English and the Creative Industries
Ursula Mayerl-FellnerThe Translation and Adaptation of William Shakespeare’s A Midsummer Night’s Dream: Aesthetics, Music, Comic Relief and Their Production and Performance HistoryEnglish and American Studies / English and the Creative Industries
Eva Nedwed English Amateur Theatre Practice in AustriaEnglish and American Studies / English and the Creative Industries
Caterina PanDie Entwicklung des Volks- und Straßentheaters als Phänomen interkultureller TheatralisierungEnglish and American Studies / English and the Creative Industries
Gislene RodriguezThe effects of religious practices on well-being: an investigation into the benefits of rituals and possible secular use Department for Systematic Theology and Centre for Intercultural Theology and Study of Religions – Religious Studies
Michael SowaChanging Cultural Infrastructures: Classical Music Entrepreneurship in the Era of CapitalismEnglish and American Studies / English and the Creative Industries
Johanna SteinerAdapting Victorian Classics: Braddon, Collins, Dickens, and Eliot on the Melodramatic StageEnglish and American Studies / English and the Creative Industries
FINISHED
Paul FaganSpectacles of Blindness and Insight: ‘The Great Hoax’ from Swift to BeckettEnglish and American Studies
Elisabeth SkardarasyFormen intellektueller und künstlerischer Aneignung bei Elias Canetti. Untersuchungen zu seiner Konzeption von ‘Macht’ German Language and Literature