Doctoral students (DSP Cultural Production Dynamics)
DSP CPD: Overview
| Doctoral student | Topic / Title | Department |
|---|---|---|
| Nina Ainz | The Creative Reception of Short Fiction | English and American Studies / English and the Creative Industries |
| Mirijam Beier | Die ‘Operisti’ im 18. Jahrhundert: Biografie, künstlerisches Profil und Karrierestrategien der Sängerin Marianne Pirker (ca. 1717–1782) | Department of Musicology and Dance Studies |
| Julius Burghardt | Slow Religion: Zur Rolle von Religion als Gegentrend zu Stress und Reizüberflutung in der gegenwärtigen Konsumkultur | Department for Systematic Theology and Centre for Intercultural Theology and Study of Religions / Religious Studies |
| Regina Genée | Stagings of Evil in Music Theatre and Dance Works (research area) | Department of Musicology and Dance Studies |
| Julia Grafenberger | (De-)Constructing Humanity – Characters in Cyberpunk | English and American Studies / English and the Creative Industries |
| Veronika Hudetz | From Text to Bodies: Incorporation and Embodiment of the Script in British and Irish Fringe Theatre | English and American Studies / English and the Creative Industries |
| Eva Kiesel | Performative Approaches to the Museum | English and American Studies / English and the Creative Industries |
| Eva-Maria Kubin | Performing Reproductive Rights | English and American Studies / English and the Creative Industries |
| Ursula Mayerl-Fellner | The Translation and Adaptation of William Shakespeare’s A Midsummer Night’s Dream: Aesthetics, Music, Comic Relief and Their Production and Performance History | English and American Studies / English and the Creative Industries |
| Eva Nedwed | English Amateur Theatre Practice in Austria | English and American Studies / English and the Creative Industries |
| Gislene Rodriguez | The effects of religious practices on well-being: an investigation into the benefits of rituals and possible secular use | Department for Systematic Theology and Centre for Intercultural Theology and Study of Religions – Religious Studies |
| Michael Sowa | Changing Cultural Infrastructures: Classical Music Entrepreneurship in the Era of Capitalism | English and American Studies / English and the Creative Industries |
| Johanna Steiner | Adapting Victorian Classics: Braddon, Collins, Dickens, and Eliot on the Melodramatic Stage | English and American Studies / English and the Creative Industries |
| FINISHED | ||
| Paul Fagan | Spectacles of Blindness and Insight: ‘The Great Hoax’ from Swift to Beckett | English and American Studies |
| Caterina Pan | Popular Theatre in Early Modern England, Germany and Italy (1570-1640): A Study in Intercultural Theatricality | English and American Studies |
| Elisabeth Skardarasy | Formen intellektueller und künstlerischer Aneignung bei Elias Canetti. Untersuchungen zu seiner Konzeption von ‘Macht’ | German Language and Literature |
