Natalie Stadler
| Department | Art History, Musicology and Dance Studies |
| PhD Supervisor | Prof. Dr. Nils Grosch |
| PhD Co-Supervisor | Prof. Dr. Nicole Haitzinger |
| Start | WS 2018/2019 |
| Contact | |
| Topic/Title | Musik und Tanz in den Salzburger Inszenierungen des Schauspiels Jedermann. Das Spiel vom Sterben des reichen Mannes. |
Abstract
The production of Jedermann has been an example of the interdisciplinarity of the arts in theater at the Salzburg Festival since its premiere in the summer of 1920. Since the first staging by Max Reinhardt, the play has been performed under the direction of thirteen other directors and, with few exceptions, has appeared almost annually on the festival program. Although the arts of music and dance have been an integral part of the stage productions from the beginning, their discursive consideration remains, to this day, a gap in musicological and dance research. This lacuna is intended to be addressed by the present dissertation project with a thorough and comprehensive research study – among other things – in the archive of the Salzburg Festival, in the Bernhard Paumgartner Archive at the University of Salzburg, at the Krenek Institute in Krems, as well as in other Viennese archives.
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